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Rita Hajjer appears to be limited in her career growth by the possessive director Sven Larsgaard. This is indicated by the way in which her intentions to shoot with another director are thwarted by a pseudo friendly letter from her cinematographer’s association. It makes sense that this would be very upsetting. Is that, however, really a good enough motive for murder? Rita’s confession also seems to indicate that she is an unlikely suspect. Try looking elsewhere!
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